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rock art

Between Function and Symbolism: Experimental insights from Mghvimevi

Author(s)
Aleko Zavradashvili 1, 2 ✉,
Levan Losaberidze 2, 3,
Mariam Kokhreidze 1,
Tatia Mamalashvili 4,
Vladimer Kenkadze 1
Publication Date
The Mghvimevi engravings represent the oldest known rock art in Georgia, dating to the Upper Palaeolithic. Fieldwork campaigns revealed 30 grooves consisting of parallel and intersecting lines. The nature of these grooves raises questions about whether they represent intentionally produced symbolic art or incidental traces of utilitarian activity. To address this issue, an experimental archaeology project funded by EXARC was undertaken...

The Development of the 1st Cultural Exchange of Traditional Knowledge and Experimental Practices of the Peruaçu River Basin

Author(s)
Ana Carolina Brugnera 1 ✉,
Lucas Bernalli Fernandes Rocha 1
Publication Date
Located in the North of Minas Gerais the Peruaçu National Park’s contains much of the fauna and flora of the second most devastated biome in Brazil, the Cerrado. The Park also incorporates geological formations and one of the most important archaeological sites from the state: rock paintings made by ancient indigenous groups dated 12,000 BP. Twenty-one years after the creation of this natural conservation unit, nature is no longer in danger...

Barely Scratching the Surface: An Experimental Approach to Engraved Magdalenian Plaquettes

Author(s)
Matthew Amy 1 ✉
Publication Date
This paper investigates the creation, utilisation, and destruction of engraved Magdalenian plaquettes through the application of actualistic experimental replication. Archaeological evidence suggests that there is a relationship between plaquettes and hearth structures, as well as engraved depictions and the destruction of the plaquettes through heating. However, this relationship between fire and plaquettes...