Anders Kiiehn Hansen
I started experimenting with bronze casting, ceramics, glass beads, smithing and other things while studying Prehistoric Archaeology in 2013.
I started experimenting with bronze casting, ceramics, glass beads, smithing and other things while studying Prehistoric Archaeology in 2013.
Specialist in general experimental archeology (since 2012), with extensive practice in the Bronze Age and Neolithic.
Sally is an archaeologist and freelance heritage educator with an MSc in Experimental Archaeology. She is also an Honorary Associate Research Fellow at Exeter University.
I have recently completed a Graduate Certificate in Experimental Archaeology and Material Culture at University College Dublin. My background is quite varied and goes from I.T. through to Graphics Arts and onto Archaeology.
One of the heritage resources of prehistoric sites, where prehistory is a diverse and wide-ranging field of study, appears as the triple determination between geography and climate, humans and their type of social organisation. Prehistory has bequeathed us evocative monuments and landscapes from the earliest human occupation, spanning enormous environmental and technological changes, and including several human species. Thus, prehistoric sites have great meaning in both natural and cultural history.
My name is Ben Grief, and I am based in Norfolk, England. I am a recent graduate of the Experimental Archaeology and Material Culture PgCert at University College Dublin. For my final project I attempted to create a replica of the Enderby Shield which has become a bit of an obsession.
I am a PhD Candidate at the University of Iowa and I study ceramic loom weights from the Late Neolithic, Chalcolithic, and Early Bronze Age in southwestern Iberia.
I have been interested in Archaeology and British Prehistory for over 45 years and nearly pursued a full-time career in this field. I have a background in design and worked as Product Development manager at The British Museum between 1997 - 2003.
Coming from an art and history involved family I not only started painting/drawing early age but also have been around historical site, museum an even excavations as youngsters.
In 2017 I combined that all with my passion for body-art and started tattooing the ancient way without machine.
Stichting Erfgoedpark Batavialand
att. EXARC
Postbus 119
8200 AC Lelystad
the Netherlands
Phone: +(31) 6 40263273
Website: EXARC.net
Email: info@exarc.net
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