ceramics

Fine Pottery Chaîne Opératoire from the Bronze Age site of Via Ordiere, Solarolo (RA, IT): Experiments on the Relationship between Surface Treatments and Function

Author(s)
Andrea La Torre 1 ✉,
G. Mannino 1,
A. Zurzolo 1
Publication Date
11th EAC Trento 2019
***The aim of this experimental work was to catch a glimpse of the pottery chaîne opératoire, particularly linked to the surfaces treatments applied, in order to better understand what type of traces they could leave on pots and how they could differently affect the use of final products...

Experimental Study of Byzantine Chafing Dishes

Author(s)
Georgia Vakasira 1
Publication Date

Introduction

Byzantine chafing dishes constitute one of the least studied utensils of the Byzantine household. Though a series of publications discuss them in a more detailed manner (Morgan, 1942; Bakirtzis, 1989; Sanders, 1995; François, 2010; Poulou-Papadimitriou, 2008; Vassiliou, 2016), most of our knowledge about chafing dishes derives from their fleeting mention in excavation reports, where they are listed among other finds and only briefly described.

Experimental Bonfirings of Pottery with Camel Dung Fuel, Jordan, July 2018

Author(s)
Maria-Louise Sidoroff 1
Publication Date
The objective of this series of experimental pottery firings with camel dung fuel was to isolate the function of this fuel type within the context of a simple mode of pottery firing for data applicable to studies of ancient pottery manufacture...

CRAFTER: An Experimental Approach to Fire-Induced Alteration of Pottery Fabrics

Author(s)
Carlos Velasco Felipe 1,2 ✉,
José María Bellón 1,2,
Bartolomé Bellón 1,2
Publication Date
In doing an inventory of ceramic materials from archaeological excavations, it is a common practice to indicate their observable atmosphere of firing. This parameter refers to the presence of gases, especially oxygen, during the firing and cooling of pottery: if oxygen circulates freely, the procedure is said to be oxidising; if, on the contrary, the atmosphere of firing lacks free air, it is called reducing...

CRAFTER: Re-creating Vatin Pottery 2: an Examination of Clay Quality and its Behaviour

Author(s)
Vesna Vučković 1,2
Dejan Jovanović 3
Publication Date

The Bronze Age Vatin culture has been known in archaeology as a cultural phenomenon distinguished by a specific material culture which existed between c. 2200 to 1600 B.C. in the region of the southern part of the Pannonian Plain, and the area along the lower Sava river and south of the Danube river. The Vatin culture followed on from the Early Bronze Age cultures in the region, indicating stabilization in this area after the disintegration of the Aeneolithic Vučedol culture by tribes from the Russian steppe (Garašanin 1979, p. 504; cf.

Event Review: CRAFTER: Back to Bronze Age Craftsmanship: International Meeting of Potters and Archaeologists

Author(s)
Ágnes Király 1
Publication Date
At the end of October 2018, nearly 30 experts – potters and archaeologists – met in the city of Mula (Murcia, Spain) to study Europe’s Bronze Age pottery-making techniques. The event was the initiation stage of the CRAFTER project (Crafting Europe in the Bronze Age and Today), implemented in the framework of the European Year of Cultural Heritage 2018 and the Creative Europe Program...

CRAFTER: Potting Techniques of the Bronze Age

Author(s)
Caroline Jeffra 1
Publication Date
Throughout its history, experimental archaeology has fulfilled a valuable role in archaeological research, allowing craftspeople and scholars alike to deepen an understanding of people and their societies in the past. EXARC’s recent involvement in the CRAFTER project, and the author’s participation in its International Meeting in Mula (Spain), has demonstrated that significant knowledge gaps remain in...

Event Review: The Second Annual Vounous Terracotta Symposium

Author(s)
E. Giovanna Fregni 1
Publication Date
Rauf Ersenal has hiked through the mountains of North Cyprus for years, searching for the rare clays that have been used to make pottery there for millennia. The most prized colours of these clays produce a soft green that is the colour of fresh olives, the bright red of terra sigiliata, and another clay that creates a true black...