theatre

The Experimenter's Body: Movement as an Artifact

Author(s)
Thaisa Martins 1
Publication Date
This paper  summarises a part of the discussions carried out in the author's MA in Archaeology at the Federal University of Rio de Janeiro - Brazil. Starting from the question “when the only thing we have is the archaeologist’s body, how can we do archaeology?” We propose to engage with methodologies and theories from the field of Dance to analyse the experimenter’s body in experimental archaeology research...

History in Motion: Colonial Williamsburg

Author(s)
Nikola Krstović 1
Publication Date
Boundaries are always an interesting topic. In the framework of the current heritage buzz word decolonization, boundaries might also represent what is “colonised” in every cultural enterprise, or to be more specific, how and why some form of power obtruded its authority, and to what extent. Like almost all other museums, Colonial Williamsburg deals with the past. The past has its own boundaries that...

The Forgotten Movement – A (Re)construction of Prehistoric Dances

Author(s)
Ivana Turčin 1
Publication Date

However, after studying archaeological artistic depictions, historical descriptions and contemporary ethnographic examples as the main research sources for the history of dance and dance movement and its development in the context of early human history, we created a conceptual reconstruction of prehistoric dances. It was presented in the form of an educational dance performance with the goal of presenting the archaeological heritage through a possible vision of dances and dance movements from a number of selected prehistoric periods: Neolithic, Chalcolithic, and Bronze Age.

Book Review: Geschichtstheater. Formen der "Living History" by Wolfgang Hochbruck

Author(s)
Ibrahim Karabed 1
Publication Date

National interest in re-production of history started when the Ethnological Commission of Westphalia called together with Freilichtmuseum Cloppenburg, one of the oldest German open-air museums, a conference on the topic of “Living history in the Museum” in 2007 in Cloppenburg, Niedersachsen. Subsequent conferences made it clear that - apart from predictable doubts about the reliability and quality of the reconstructions of historical life-worlds and events - there was a significant dissonance regarding terminologies.

What Does Your Visitor Experience? Making the Most of Live Interpretation in a Unique Setting

Author(s)
Marc van Hasselt 1
Publication Date
OpenArch Special Digest 2015 Issue 2
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...

Museum Theatre in Greece: Perspectives in Site Interpretation

Author(s)
Foteini Venieri 1,2,3 ✉,
Niki Nikonanou 4
Publication Date

Introduction

Museum theatre as an umbrella-term is used to describe a variety of performative events aimed to interpret fragments of cultural heritage. In the framework of one of the main challenges contemporary museums face, that of having a social impact while dealing with heritage, whom values and narratives can always be “contested and disputed” (Smith 2011, 70), museum theatre has proved that not only can it enforce a constructivist approach in a museum environment but it can also generate debate and promote critical thinking on controversial issues (Farthing 2010).

Putting on a Show - The How and Why of Historical Shows and Theatre in a Historical Setting or Theme-park

Author(s)
Jaap Hogendoorn 1 ✉,
Erik Collinson 2
Publication Date
As long as people have walked the earth, stories have been told; from stories around the campfire told by older people to entertain and educate the young, to 15th century knights dressing up as Romans during themed tournaments. Telling a story is putting on a little show; a show is a great way to tell a story... Including Spartacus in Archeon by Erik Collinson

Book Review: Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation by Anthony Jackson & Jenny Kidd (eds)

Author(s)
Kirsty Sullivan 1
Publication Date
This useful text brings together recent thinking about museum theatre and the performance of heritage, offering a range of international case studies to its readers as evidence of the discipline’s usefulness in interpreting the past for visitors...

Interpreting the Interpreter: is Live Historical Interpretation Theatre at National Museums and Historic Sites Theatre?

Author(s)
Ashlee Beattie 1
Publication Date

Presenting the Discussion

The majority of the people Scott Magelssen interviewed were museum curators and historical interpreters, and their answers were broken up into three main categories:

1. No (mainly because there is no script), 2. Yes, it is a form of theatre, 3. Of course it is theatre. (Magelssen 106-119)